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Nightside - Something from the Nightside

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      "Things?" said Joanna, raising a perfect eyebrow.
      "There are things about Cathy, and her situation, that need ... clarifying," I said carefully. "There's more to this than meets the eye. More to this whole situation. I can feel it."
      "There are a lot of unanswered questions," said Joanna. "I know that. Who called Cathy here, and why? Why choose her? She's no-one important, except to me. I'm a successful businesswoman, but I don't earn the kind of money that would make kidnap or blackmail attractive. And this is the Nightside. People like me don't matter here. So why pick on Cathy? Just another teenage runaway? If I knew the answers to questions like those, I wouldn't have needed to hire someone like you, would I?"
      I nodded slowly, acknowledging the point. Joanna pressed on.
      "I don't think we're in here because I need a rest, John. I think this is your rest stop. You've been through a lot too. You killed Razor Eddie. He was your friend, and you killed him."
      "I killed him because he was my friend. Because he'd suffered so much. Because it was the only thing left I could do for him. And because I've always been able to do the hard, necessary things."
      "Then why are your hands shaking?"
      I looked down, and they were. I honestly hadn't noticed. Joanna put one of her hands on top of mine, and the shaking slowly stopped.
      'Tell me about Eddie," she said. "Not the Street of the Gods stuff. Tell me about you, and Eddie."
      "We worked a lot of cases together," I said, after a while. "Eddie's ... powerful, but he's not the most subtle of people. There are some problems you can't
      solve with power, without destroying what you're trying to save. That's when Eddie would turn up at Strangefellows, asking for my help. Not openly, of course. But we'd talk, and eventually the conversation would come around to what was troubling him, and then he and I would go out into the night, and find a way to put things right that didn't involve hitting the problem with a sledgehammer. Or a straight razor.
      "And sometimes . . . he'd just appear out of nowhere, to back me up. When I got in over my head."
      "This sounds more like partners than friends," said Joanna.
      "He's a killer," I said. "Razor Eddie. Punk God of the Straight Razor. These days he kills with good rather than bad intentions, but in the end all he is, is killing. And he wouldn't have it any other way. Hard to get close to a man like that. Someone who's gone much further into the dark than I ever have. But... he turned his life around, Joanna. Whatever epiphany he found on the Street of the Gods, he threw aside everything that had ever had power over him, in order to earn redemption. How can you not admire courage like that? If someone like him can change, there's hope for all of us.
      "I've tried to be a good friend to him. Tried to steer him towards a different kind of life, where he doesn't have to define who he is by killing. And
      he... listens, when I have bad times, and need someone I can talk to who won't repeat it. He warns people away from me, if he thinks they're a threat. He hurts people, if he thinks they're planning to hurt me. He thinks I don't know that.
      "I killed him in the Timeship to put an end to his suffering. I've always been able to bite the bullet, and do what has to be done. I never said it was easy."
      "John..."
      "No. Don't try and bond me with me, Joanna. There's no room in my life for people who can't protect themselves."
      "Is that why your only friends are damaged souls like Razor Eddie and Suzie Shooter? Or do you deliberately only befriend people already so preoccupied with their own inner demons that they won't put pressure on you to confront your own? You're afraid, John. Afraid to really open up to anyone, because that would make you vulnerable. This is no way to live, John. Living vicariously through the problems of your clients."
      "You don't know me," I said. "Don't you dare think that you know me. I am ... who I have to be. To survive. I live alone, because I won't risk endangering someone I might care for. And if it's sometimes very cold and very dark where I am; at least when I do go down, I won't drag anyone else with me."
      "That's no way to live," said Joanna.
      "And you, of course, are the expert on how to run
      your life successfully. A mother whose child runs away at every opportunity. Let's talk about some of the questions you have to consider, before we go any further. What if, we finally go to Blaiston Street, find the right house, kick in the door and find that Cathy's actually very happy where she is, thank you? That she's happy and safe and doesn't need rescuing? What if she's found someone or something worth running to, and doesn't want to leave? Stranger things have happened, in the Nightside. Could you turn and walk away, leave her there, after all we've been through to track her down? Or would you insist she come back with you, back to a life you could understand and approve of, where you could keep a watchful eye on her, to ensure she won't grow up to make your mistakes?"
      Joanna took her hand away from mine. "If she was genuinely happy ... I could live with that. You don't last long in the business world if you can't distinguish between the world as it is and the world as you want it to be. What matters is that she's safe. I need to know that. I could always come back and visit."
      "All right," I said. 'Try this one. What if she is in a bad place, and we haul her out of there, and you take her back home with you? What are you going to do to ensure she won't just run away again, first chance she gets?"
      "I don't know," said Joanna, and I had to give her points for honesty. "Hopefully, the fact that I've
      come this far for her, gone through so much for her... will make an impression. Make her see that I do care about her, even if I'm not always very good at showing it. And if nothing else, this whole experience should give us something in common to talk about, for once. We've always found it difficult to talk."
      "Or listen. Make time for your daughter, Joanna. I really don't want to have to do this again."
      "I had managed to work that out for myself," said Joanna, just a little coldly. "I always thought Cathy had everything she needed. Clearly, I was wrong. My business can survive without me for a while. And if it can't, the hell with it. There are more important things."
      I nodded and smiled, and after a moment she smiled back. It wasn't going to be as simple or as easy as that, and both of us knew it, but recognising a problem is at least half-way to solving it. I was pleased at how far she had come. I just hoped she could go the distance. We sipped our Cokes for a while. The Fifth Dimension finished "Aquarius" and went straight into "Let the Sun Shine."
      "That future we ended up in," Joanna said, after a while. "It may not be thefuture, or even the most likely, but it was still a bloody frightening one. How could youpossibly be responsible for destroying the whole damned world? Are you really that powerful?"
      "No," I said. "At least, not at present. It's got to be
      tied in to what I inherited, or perhaps stand to inherit, from my missing mother. I never knew her. I have no idea who or what she really was. No-one does. My father found out, and the knowledge made him drink himself to death. And this was a man well used and inured to all the worst excesses of the Nightside."
      "What did he do here?" said Joanna.
      "He worked for the Authorities. The ones who watch over us, whether we like it or not. After my father died, I went through his papers. Hoping to find some kind of legacy, or message, or just an explanation, something to help me understand. I was ten years old, and I still believed in neat answers like that then. But it was all just junk. No diary, no letters, no photos of him and my mother together. Not even a wedding photo. He must have destroyed them all. And the few people who'd known both my parents had vanished long ago. Driven away by... many things. None of them turned up for his funeral.
      "Over the years, all kinds of people have come up with all kinds of theories as to who and what my mother might have been. Why she appeared out of nowhere, married my father, produced me, and then disappeared again. And why she didn't take me with her. But no-one's ever been able to prove anything out of the ordinary about me, apart from my gift. And gifts are as common as freckles among the sons and daughters of the Nightside."
      Joanna frowned suddenly. "On the tube train,
      coining here, the Brittle Sisters of the Hive recognised your name. They backed off, rather than upset you. And they asked to be remembered, when you finally came into your kingdom."
      I had to smile. "That doesn't necessarily mean anything. In the Nightside, you can never be sure which ugly duckling might grow up to be a beautiful swan, or even a phoenix. So if you're sensible you hedge your bets and back as many horses as possible. And never make an enemy you don't have to."
      Joanna leaned forward across the plastic table, pushing her Coke bottle aside so she could stare at me the more fiercely. "And do you still intend to go on looking for your mother, now you know what might happen to the world if you find her?"
      "It's a hell of a wake-up call, isn't it? It's certainly given me a lot of food for thought."
      "That isn't answering the question."
      "I know. Look, I hadn't even intended to stay here, in the Nightside, once this case was over and done with. I left this madhouse five years ago for good reasons, and none of them have changed. But.. . more and more, this dangerous and appalling place feels like home to me. Like I belong here. Your safe and sane everyday world didn't seem to have any place for me. At least here I get the feeling I could do some real good for my clients. That I could ... make a difference."
      "Oh yes," said Joanna. "You could make a hell of a difference here."
      I met Joanna's gaze as calmly as I could. "All I can honestly say is this—I really don't care enough about my mother to risk bringing about the future we both saw."
      "But that could change."
      "Yes. It could. Anything can happen, in the Night-side. Drink your nice Coke, Joanna, and try not to worry about it."
      The Crazy World of Arthur Brown was belting out "Fire," by the time Joanna had calmed down enough to ask another question.
      "I need you to be straight with me, John. Do you think Cathy is still alive?"
      "I have no reason to believe she's not," I said honestly. "We know she was alive very recently. The last image my gift picked up was only a few days old. We know Someone or Something called her into the Nightside, but there's no direct evidence that individual means Cathy any harm. There's no evidence that he doesn't, either, but when you're groping in the dark it's best to be optimistic. As yet, no clear threat or danger has manifested. We have to proceed on the assumption that she's still alive. We have ... to have hope."
      "Hope? Even here?" said Joanna. "In the Night-side?"
      "Especially here," I said. This time I put my hand
      on hers. Our hands felt good together, natural. "I'll do everything I can for you, Joanna. I won't give up, as long as there's a shred of hope left."
      "I know," said Joanna. "You're a good man at heart, John Taylor."
      We looked into each other's eyes for a long time, and both of us were smiling. We believed in each other, even if we weren't too sure about ourselves. I knew this wasn't a good idea. Never get personally involved with a client.It's written in large capital letters on page one of How to Be a Private Detective.Right next to Get as much cash as you can up front, just in case the cheque bounces,and Don't go looking for the Maltese Falcon because it'll all end in tears.I'm not stupid. I've read Raymond Chandler. But right then, I just didn't care. I did make one last effort, for the good of my soul.
      "It's not too late for you to back out," I said. "You've been through enough. Stay here, and let me handle Blaiston Street. You'll be safe here."
      "No," Joanna said immediately, pulling her hands away from mine. "I have to do this. I have to be there, when you find... what's happened to my daughter. I have to know the truth, and she has to know . .. that I cared enough to come myself. Dammit, John, I've earned the right to be there."
      "Yes," I said, quietly proud of her. "You have."
      "John Taylor, as I live and breathe," said a cold, cheerful voice. "I really couldn't believe it when they
      told me you'd showed up again. I thought you had more sense, Taylor."
      I knew the voice, and took my time turning around. There aren't many people who can sneak up on me. Sure enough, standing behind me was Walker, large as life and twice as official. Every inch the City Gent, sharp and stylish and sophisticated. Handsome, if a little on the heavy side, with cold eyes and smile and an even colder heart. Had to be in his late forties by now, but you still wouldn't bet on the other guy. People like Walker don't slow down; they just get sneakier. His perfect city suit was expertly cut, and he tipped his bowler hat to Joanna with something very like charm. I glared at him.
      "How did you know where to find me, Walker? I didn't know I was coming here till a few minutes ago."
      "I know where everyone is, Taylor. You'd do well to remember that."
      "John, who is this ... person?" asked Joanna, and I could have blessed her for the sheer unimpressed indifference in her voice.
      "Perhaps you should introduce me to your client," said Walker. "I would so hate for us to start off on the wrong foot."
      "Your tie's crooked," said Joanna, and I could have kissed her.
      "This is Walker," I said. "If he has a first name, no-one knows it. Probably not even his wife. Ex-
      Eton and ex-Guards, because his sort always is. Mentioned in dispatches for being underhanded, treacherous and more dangerous than a shark in a swimming pool. Walker represents the Authorities, here in the Nightside. Don't ask what Authorities, because he doesn't answer questions like that. All that matters is he could have you or me or anyone else dragged off without warning, with no guarantee we'd ever be seen again. Unless he had a use for us. He plays games with people's lives, all in the name of preserving his precious status quo."
      "I preserve the balance," Walker said easily, flicking an invisible speck of dust from his impeccable sleeve. "Because someone has to."
      "No-one knows who or what Walker reports to, or where his orders come from," I continued, "Government or Church or Army. But in an emergency he has been known to call for backup from any damned force he wants; and they come running every time. His word is law, and he enforces it with whatever measures it takes. Always immaculately turned out, charming in a ruthless kind of way, and never, ever, to be trusted. No-one ever sees him coming. You can never tell when he's going to come strolling out of the shadows with a smile and a quip, to pour oil on troubled waters, or occasionally vice versa.
      "He has a gift for getting answers. There aren't many who can say no to him. They say he once made
      a corpse sit up on an autopsy table and talk with him."
      "You flatter me," said Walker.
      "You'll notice he's not denying it. Walker can call on powers and dominations, and make them answer to him. He has power, but no accountability. And damn all conscience, either. In a place where the Light and the Dark are more than just aphorisms, Walker remains determinedly grey. Like any good civil servant."
      "It's all about duty and responsibility, Taylor," said Walker. "You wouldn't understand."
      "Walker disapproves of people like me," I said, smiling coldly. "Rogue agents, individuals who insist on being in charge of their own destinies, and their own souls. He thinks we muddy the waters. It's not often you'll see him out in the open, like this. He much prefers to stay in the shadows, so people can't see him pulling strings. Anyone at all could be working for him, knowingly or unknowingly, doing his bidding, so Walker doesn't have to get his own hands dirty. And of course, if one of his unofficial agents should get killed in the process, well, there are always more where they came from. For Walker the end always justifies the means, because the end is keeping the Nightside and its occupants strictly separate from the everyday world that surrounds it."
      Walker bowed his head slightly, as though anticipating applause. "I do so love it when you introduce
      me, Taylor. You do it so much better than I ever could."
      "He's been known to fit up people," I said. The words were coming faster now, as my anger rose. "When he finds it necessary, to throw someone to the wolves. He is much feared, occasionally admired, and practically everyone in the Nightside has tried to kill him, at one time or another. At the end of the day, he goes home to his wife and his family, in the everyday world, and forgets all about the Nightside. We're just a job to him. Personally, I think he sees this whole damned place as nothing more than a hideously dangerous freak show, full of things that bite. He'd nuke the Nightside and wipe us all out, if he thought he could get away with it. Except he can't, because his mysterious masters won't let him. Because they, and those like them, need somewhere to come and play the games they can't play anywhere else, to wallow in the awful pleasures they can't even admit to in the everyday world.
      "This is Walker, Joanna. Don't trust him." "How very unkind," Walker murmured. He pulled up another chair and sat down at our table, exactly half-way between Joanna and me. He crossed his legs elegantly and laced his fingers together on the table before him. All around us conversations were starting up again, as it became clear Walker hadn't come for any of them. He leaned forward across the table, and despite myself I leaned forward a little too,
      to hear what he had to say. If Walker had taken an interest in me and my case, the situation had to be even more serious than I thought.
      "People have been disappearing on Blaiston Street for some time now," Walker said briskly. "It took us a while to realise this, because they were the kind of people no-one misses. The homeless, the beggars, the drunks and drug-users. All the usual street trash. And even after the situation became clear, I saw no reason to become involved. Because, after all, no-one cared. Or at least, no-one who mattered. If anything, the area actually seemed to improve, for a while. By definition, anyone who ends up on Blaiston Street by choice has already opted out of the human race. But just recently ... a number of rather important people have walked into Blaiston Street, and never come out again. So the word has come down from Above for me to investigate."
      "Hold everything." I gave Walker my best hard look. "Just what would these rather important peoplehave been doing in a cesspit like Blaiston Street?"
      "Quite," said Walker. If my hard look was bothering him, he hid it very well. "None of them had any business being there. Blaiston Street has none of the usual attractions or temptations that might lead a normally sensible person to go slumming. It seems much more likely they were called, or possibly even summoned, there, by forces or individuals unknown. Except... if something that powerful had come into
      the Nightside, we should have detected its presence long before now. Unless it's hiding from us. Which, strictly speaking, is supposed to be impossible. So, a mystery. And you know how much I hate mysteries, Taylor. I was considering what to do for the best when I learned you'd reappeared in the Nightside; and then everything just fell into place. I understand you're tracking a runaway."
      'This lady's daughter," I said. Walker inclined his head to Joanna again.
      "And your gift leads you to believe she's in Blais-ton Street?"
      "Yes."
      "And you have reason to believe she was called there?"
      "Not necessarily against her will."
      Walker made a vague dismissive gesture with one elegant hand. "Then you have twelve hours, Taylor, to discover the secrets of Blaiston Street and do whatever is necessary to re-establish the status quo. Should you fail, I will have no choice but to fall back on my original plan, and destroy the whole damned street, and everything in it, now and forever."
      "You can't do that!" said Joanna. "Not while my Cathy's still in there!"
      "Oh yes he can," I said. "He's done it before. Walker's always been a great admirer of the scorched earth option. And it wouldn't bother him in the least if he had to sacrifice a few innocents along the way.
      Walker doesn't believe anyone's innocent. Plus, by involving me he doesn't have to put one of his own people at risk."
      "Exactly," said Walker. He rose gracefully to his feet, checking the time on an old-fashioned gold fob watch from his waistcoat pocket. "Twelve hours, Taylor, and not a minute more." He put the watch away and looked at me thoughtfully. "A final warning. Remember... that nothing is ever what it seems, in the Nightside. I'd hate to think you've been away so long that you've forgotten such a basic fact of life here."
      He hesitated, and for a moment I thought he might be about to say something more, but then our waitress came trotting back with my freshly laundered trench coat, and the moment passed. Walker smiled tolerantly as the waitress displayed the spotless coat for my approval.
      "Very nice, Taylor. Very retro. I must be off now, about my business. So much to do, and so many to be doing it to. Welcome back, Taylor. Don't screw up."
      He was already turning away to leave when I stopped him with my voice. "Walker, you were my father's friend."
      He looked back at me. "Yes, John, I was."
      "Did you ever find out what my mother was?"
      "No," he said. "I never did. But if I ever do find her, I'll make her tell me. Before I kill her."
      He smiled briefly, touched his fingertips to the
      brim of his bowler hat, and left the cafe. No-one actually watched him go, but the general murmur of voices rose significantly once the door was safely shut behind him.
      "Just what is it with you and him?" Joanna said finally. "Why did you let him talk to you like that?"
      "Walker? Hell, I'd let him shit on my shoes if he wanted to."
      "I haven't seen you back down to anyone since we got here," said Joanna. "What makes him so special?"
      "Walker's different," I said. "Everyone gives Walker plenty of space. Not for who he is, but for what he represents."
      "The Authorities?"
      "Got it in one. Some questions are all the scarier for having no answer."
      "But who watches the watchmen?" said Joanna. "Who keeps the Authorities honest?"
      "We are drifting into decidedly murky philosophical waters," I said. "And we really don't have the time. Finish your nice Coke, and we'll go pay Blais-ton Street a visit."
      "About time!" said Joanna. And she gulped down the last of her icy Coke so fast it must have given her a headache.

NINE - A House on Blaiston Street

       Blaiston Street butts onto the back end of nowhere. Shabby houses on a shabby street, where all the street-lights have been smashed, because the inhabitants feel more at home in the dark. Perhaps so they won't have to see how far they've fallen. I could practically feel the rats running for cover as I led Joanna down the street, but otherwise it was almost unnaturally still and quiet. Litter was piled everywhere in great festering heaps, and every inch of the dirty stone walls was covered in obscene graffiti. The whole place stank of decay—material, emotional and spiritual. All down the street, windows were missing, patched up with cardboard or paper or nothing at all.
      Filth everywhere, from animals marking their territory, or from people who just didn't care any more. The houses were two rows of ancient tenements, neglected and despised, that would probably have fallen down if they hadn't been propping each other up.
      Maybe Walker was right. A good bomb here could do millions of pounds of civic improvements.
      And yet... something was wrong here. More than usually wrong. The street was strangely empty deserted, abandoned. There were no homeless hud died in doorways, or under sagging fire-escapes. No beggars or muggers, no desperate souls looking to buy or sell; not even a single pale face peering from a window. Blaiston Street usually seethed with life like maggots in an open wound. I could hear the sounds of traffic and people from adjoining streets, but the sound was muted, strangely far away, as though from another world.
      "Where the hell is everybody?" said Joanna quietly.
      "Good question," I said. "And I don't think we're going to like the answer, when we find it. I'd like to think everyone just ran away, but... I'm beginning to suspect they weren't that lucky. I don't think anyone here got out alive. Something bad happened here. And it's still happening."
      Joanna looked around her, and shuddered. "What in sweet Jesus' name could have summoned Cathy to a place like this?"
      "Let's find out," I said, and calling up my gift I opened my private eye again. My gift was getting weaker, and so was I, but I was so close now it was just strong enough to show me Cathy's ghost prancing down the street, lit up from within by her own blazing emotions. I'd never seen anyone look so happy. She came to one particular house, that looked no different from any of the others, and stopped before it, studying it with solemn, child-wide eyes. The door opened slowly before her, and she ran up the stone steps and disappeared into the darkness beyond the door, smiling widely all the time, as though she was going to the best party in all the world. The door closed behind her, and that was that. I'd come to the end of the trail. For whatever reason, she'd never left that house again. I took Joanna by the hand and replayed the ghost so she could see it too.
      "We've found her!" said Joanna, her hand clamping down on mine so hard it hurt. "She's here!"
      "She was here," I said, pulling my hand free. "Let me check the house out before we go any further, see what my gift can tell us about the house's past and present occupants."
      We walked right up to the house, and stopped at the foot of the dirty stone steps that led up to the paint-peeling door. Old bricks and mortar, smeared windows, and no signs of life anywhere. The door looked flimsy enough. I didn't think it could keep me out if I decided I wanted in, but this was the Night-
      side, so you never knew ... I raised my gift and concentrated on the house, and despite myself I made a sudden, startled sound. There was no house before me. No history, no emotions, no memories, not even a simple sense of presence. As far as my gift was concerned, I was standing before a vacant lot. There was no house here, and never had been.
      I grabbed Joanna's hand again, so she could see what I wasn't seeing, and she jumped too.
      "I don't understand. Where did the house go?"
      "It didn't go anywhere," I said. "As far as I can tell, there's never been any kind of house here."
      I let go her hand and dropped my gift, and there was the house again, right in front of me. Large as life and twice as ugly.
      "Is it another ghost?" said Joanna. "Like the cafe?"
      "No. I'd recognise that. This is solid. It has a physical presence. We saw Cathy go into it. Something here ... is playing games with us. Disguising its true nature."
      "Something inside the house?"
      "Presumably. Which means the only way we're going to get any answers is to force our way in, and see for ourselves. A house ... that isn't just a house. I wonder what it is?"
      "I don't give a damn what it is," Joanna said hotly. "All that matters is finding my Cathy, and getting her the hell out of here."
      I grabbed her by the arm to stop her from charging up the steps. Her face was flushed with emotion at coming so close to the end of the chase, and her arm trembled under my hand. She looked at me angrily as I stopped her, and I made myself speak calmly and soothingly.
      "We can't help Cathy by plunging headlong into traps. I don't believe in charging blindly into strange situations."
      "Just as well I'm here then, isn't it?" said Suzie Shooter.
      I looked round sharply, and there she was in the street behind me; Shotgun Suzie, smiling just a little smugly, the stock of her holstered pump-action shotgun peering at me over her leather-clad shoulder. I gave her my best glare.
      "First Walker, and now you. I can remember when people weren't able to sneak up on me all the time."
      "Getting old, Taylor," said Suzie. "Getting soft. Found anything for me to shoot yet?"
      "Maybe," I said. I gestured at the house before us. "Our runaway is in there. Only my gift says there's something decidedly unnatural about this place."
      Suzie sniffed. "Doesn't look like much. Let's do it. I'll lead the way, if you're worried."
      "Not this time, Suzie," I said. "I have a really bad feeling about this house."
      "You're always having bad feelings."
      "And I'm usually right."
      "True."
      I made my way slowly up the stone steps.

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