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Dancers at the End of Time - The End of All Songs

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      "It is reminiscent, is it not, of something of Jagged's?"
      "Is it? Well, Volospion always saw himself as a rival to Jagged, and perhaps hopes to fill his shoes, now that he is occupied with other things. O'Kala Incarnadine has been safely resurrected, by the by, and has lost interest in being a goat. He has become some kind of leviathan, with his own lake. Now that is a copy — of Amelia's creation. Well, if you'll forgive me, I'll be on my way. Others will want to see this."
      For the fourth time, the whirling cone appeared, Brannart and the Lat emerged. As Bishop Castle flew off Jherek dropped closer. He was still unable to understand them.
      "Hrunt!" cried Captain Mubbers.
      "Ferkit!" declared Brannart Morphail.
      Blows were exchanged. They returned to the craft.
      Jherek wondered if he should not continue on to Castle Canaria and tell Lord Jagged what was happening, but the sight had distressed him too much and he did not relish a further encounter with his father and mother today. He decided to return with the news to Amelia.
      It was almost twilight as he directed the locomotive home. The darkness seemed to come quicker than usual and it was beneath a starless, moonless sky that he eventually located the house where only one light burned at a single window.
      He was surprised, as he landed, to note that the window was not Amelia's but his own. He did not recall leaving a light there. He felt alarm as he entered the house and ran upstairs. He knocked at her door. "Amelia! Amelia!" There was no reply. Puzzled, he opened his door and went in. The lamp burned low, but there was sufficient light to see that his Amelia occupied the bed, her face turned away from him, the great sable sheet drawn tightly around her body so that only her head was visible.
      "Amelia?"
      She did not turn, though he could see that she was not asleep. He could do nothing but wait.
      Eventually, she spoke in a small, unsteady voice. "As a woman, I shall always be yours."
      "Are we —? Is this marriage?"
      She looked up at him. There were tears in her eyes; her expression was serious. Her lips parted.
      He kneeled upon the bed; he took her head in his hands. He kissed her eyes. She moved convulsively and he thought he alarmed her until he realized that she was struggling free of the sheet, to open her arms to him, to hold him, as if she feared to fall. He took her naked shoulders in his arm, he stroked her cheek, experiencing a sensation at once violent and tender — a sensation he had never left before. The smell of her body was warm and sweet.
      "I love you," he said.
      "I shall love you for ever, my dear," she replied. "Believe me."
      "I do."
      Her words seemed subtly inappropriate and the old sense of foreboding came and went. He kissed her. She gasped and her hands went beneath his blouse; he felt her nails in his flesh. He kissed her shoulder. She drew him to her.
      "It is all I can give you…" She seemed to be weeping.
      "It is everything."
      She groaned. With a touch of a power-ring he disrobed, stroking the tears on her cheek, kissing her trembling shoulder, until at last he drew back the sheet and pressed himself upon her.
      "The lamp," she said. He caused it to vanish and they were in complete darkness.
      "Always, Jherek."
      "Oh, my dearest."
      She hugged him. He touched her waist. "Is this what you do?" he asked. "Or is it this?"
      Then they made love; and in the fullness of time they slept.
      The sun had risen. He felt it upon his eyelids and he smiled At last the future, with its confusion and its fears, was banished; nothing divided them. He turned, so that his first sight of the morning would be of her; but even as he turned the foreboding came back to him. She was not there. There was a trace of her warmth, little more. She was not in the room. He knew that she was not in the house.
      "Amelia!"
      This was what she had decided. He recalled her anecdote of the young man who had only dared declare his love when he knew he would never see her again. All his instincts had told him, from that moment by the fountain, that it was her intention to answer her Victorian conscience, to go back with Harold Underwood to 1896, to accept her responsibilities. It was why she had said what she said to him last night. As a woman, she would always be his, but as a wife she was committed to her husband.
      He plunged from his bed, opening the window, and, naked, flung himself into the dawn sky, flying as rapidly as his power-rings could carry him, rushing towards the city, her name still on his lips, like the mad cry of a desolate seabird.
      "Amelia!"
      Once before he had followed her thus, coming too late to stop her return to her own time. Every sensation, every thought was repeated now, as the air burned his body with the speed of his flight. Already he planned how he might pursue her back to Bromley.
      He reached the city. It seemed to sleep, it was so still.
      And near the brink of the pit he saw the great open structure of the time-machine, the chronomnibus. Aboard he could see the time-traveller at the controls, and the policemen, all in white robes, with their helmets upon their heads, and Inspector Springer, also in white, wearing his bowler, and Harold Underwood with his hay-coloured hair and his pince-nez twinkling in the early sun. And he glimpsed Amelia, in her grey suit, seemingly struggling with her husband. Then the outlines of the machine grew faint, even as he descended. There was a shrill sound, like a scream, and the machine faded away and was gone.
      He reached the ground, staggering.
      "Amelia." He could barely see for his tears; he stood hopeless and trembling, his heart pounding, gasping for air.
      He heard sobbing and it was not his own sobbing. He lifted his head.
      She lay there, in the black dust of the city, her face upon her arm. She wept.
      Half-sure that this was a terrible illusion, merely a recollection from the city's memory, he approached her. He fell on his knees beside her. He touched her grey sleeve.
      She looked up at him. "Oh, Jherek! He told me that I was no longer his wife…"
      "He has said as much before."
      "He called me 'impure'. He said that my presence would taint the high purpose of his mission, that even now I tempted him … Oh, he said so many things. He threw me from the machine. He hates me."
      "He hates sanity, Amelia. I think it is true of all such men. He hates truth. It is why he accepts the comforting lie. You would have been of no use to him."
      "I was so full of my resolve. I loved you so much. I fought so hard against my impulse to stay with you."
      "You would martyr yourself in response to the voice of Bromley? To a cause you know to be at best foolish?" He was surprised by his words and it was plain that he surprised her, also.
      " This world has no cause at all," she told him, as he held her against him. "It has no use for one such as me!"
      "Yet you love me. You trust me?"
      "I trust you, Jherek. But I do not trust your background, your society — all this…" She stared bleakly at the city. "It prizes individuality and yet it is impossible to feel oneself an individual in it. Do you understand?"
      He did not, but he continued to comfort her.
      He helped her to her feet.
      "I can see no future for us here," she told him. She was exhausted. He summoned his locomotive.
      "There is no future," he agreed, "only the present. Surely it is what lovers have always wished for."
      "If they are nothing but lovers, Jherek, my dear." She sighed deeply. "Well, there is scarcely any point to my complaints." Her smile was brave. "This is my world and I must make the best of it."
      "You shall, Amelia."
      The locomotive appeared, puffing between high, ragged towers.
      "My sense of duty —" she began.
      "To yourself, as I said. My world esteems you as Bromley never could. Accept that esteem without reserve; it is given without reserve."
      "Blindly, however, as children give. One would wish to be respected for — for noble deeds."
      He saw clarity, at last. "Your going to Harold — that was 'noble'?"
      "I suppose so. The self-sacrifice…"
      " 'Self-sacrifice' — another. And is that 'virtuous'?"
      "It is thought so, yes."
      "And 'modest'?"
      "Modesty is often involved."
      "Your opinion of your own actions is 'modest'?"
      "I hope so."
      "And if you do nothing save what your own spirit tells you to do — that is 'lazy', eh? Even 'evil'?"
      "Scarcely evil, really, but certainly unworthy…"
      The locomotive came to a rest beside them, where the chronomnibus had lately been.
      "I am enlightened at last!" he said. "And to be 'poor', is that frowned upon by Bromley."
      She began to smile. "Indeed, it is. But I do not approve of such notions. In my charity work, I tried to help the poor as much as I could. We had a missionary society, and we collected money so that we could purchase certain basic comforts…"
      "And these 'poor' ones, they exist so that you might exercise your own impulses towards 'nobility' and 'self-sacrifice'. I understand!"
      "Not so, Jherek. The poor — well, they just exist . I, and others like me, tried to ease their conditions, tried to find work for the unemployed, medicine for their sick."
      "And if they did not exist? How, then, would you express yourself?"
      "Oh, there are many other causes, all over the world. Heathen to be converted, tyrants to be taught justice, and so on. Of course, poverty is the chief source of all the other problems…"
      "I could perhaps create some 'poor' for you."
      "That would be terrible. No, no! I disapproved of your world before I understood it. Now I do not disapprove — it would be irrational of me. I would not change it. It is I who must change." She began to weep again. "I who must try to understand that things will remain as they are throughout eternity, that the same dance will be danced over and over again and that only the partners will differ…"
      "We have our love, Amelia."
      Her expression was anguished. "But can't you see, Jherek, that it is what I fear most! What is love without time, without death?"
      "It is love without sadness, surely."
      "Could it be love without purpose?"
      "Love is love."
      "Then you must teach me to believe that, my dear."

26. Wedding Bells at the End of Time

      She was to be Amelia Carnelian; she insisted upon it. They found seeds and bulbs, preserved by the cities, and they planted them in her gardens. They began a new life, as man and wife. She was teaching him to read again, and to write, and if Jherek felt contentment she, at least, felt a degree more secure; his assurances of fidelity became credible to her. But though the sun shone and the days and nights came and went with a regularity unusual at the End of Time, they were without seasons. She feared for her crops. Though she watered them carefully, no shoots appeared, and one day she decided to turn a piece of ground to see how her potatoes fared. She found that they had gone rotten. Elsewhere not a single seed had put out even the feeblest root. He came upon her as she dug frantically through her vegetable garden, searching for one sign of life. She pointed to the ruined tubers.
      "Imperfectly preserved, I suppose," he suggested.
      "No. We tasted them. These are the same. It is the earth that ruins them. It is not true soil at all. It is without goodness. It is barren, Jherek, as everything is fundamentally barren in this world." She threw down the spade; she entered the house. With Jherek at her heels, she went to sit at a window looking out towards her rose-garden.
      He joined her, feeling her pain but unable to find any means of banishing it.
      "Illusion," she said.
      "We can experiment, Amelia, to make earth which will allow your crops to grow."
      "Oh, perhaps…" She made an effort to free herself from her mood, then her brow clouded again. "Here is your father, like an Angel of Death come to preside at the funeral of my hopes."
      It was Lord Jagged, stepping with jaunty tread along the crazy paving, waving to her.
      Jherek admitted him. He was all bustle and high humour. "The time comes. The circuit is complete. I let the world run through one more full week, to establish the period of the loop, then we're saved forever! My news displeases you?"
      Jherek spoke for Amelia. "We do not care to be reminded of the manner in which the world is maintained, Father!"
      "You will notice no outward effects."
      "We shall have the knowledge of what has happened," she murmured. "Illusions cease to satisfy, Lord Jagged."
      "Call me Father, too!" He seated himself upon a chaise-longue, spreading his limbs. "I should have guessed you very happy by now. A shame."
      "If one's only function is to perpetuate illusion, and one has known real life, one is inclined to fret a little," said she with ungainly irony. "My crops have perished."
      "I follow you, Amelia. What do you feel, Jherek?"
      "I feel for Amelia," he answered. "If she were happy, then I would be happy." He smiled. "I am a simple creature, father, as I have often been told."
      "Hm," said Lord Jagged. He eased himself upward and was about to say more when, in the distance, through the open windows, they heard a sound.
      They listened.
      "Why," said Amelia, "it is a band."
      "Of what?" asked Jherek.
      "A musical band," his father told him. He swept from the house. "Come, let's see!"
      They all ran through the walks and avenues until they reached the white gate in the fence Amelia had erected around the trees. The lake of blood had long since vanished and gentle green hills replaced it. They could see a column of people, far away, marching towards them. Even from here, the music was distinct.
      "A brass band!" cried Amelia. "Trumpets, trombones, tubas —!"
      "And a silver band!" declared Lord Jagged, with unfeigned enthusiasm. "Clarinets, flutes, saxophones!"
      "Bass drums — hear!" For the moment her miseries were gone. "Snare drums, tenor drums, timpani…"
      "A positive profusion of percussion!" added Jherek, wishing to include himself in the excitement. "Ta-ta-ta- ta ! Hooray!" He made a cap for himself, so that he might fling it into the air. "Hooray!"
      "Oh, look!" Amelia had forgotten her distress entirely, for the moment at least. "So many! And is that the Duke of Queens?"
      "It is!"
      The band — or rather the massed bands, for there must have been at least a thousand mechanical musicians — came marching up the hill towards them, with flags flying, plumes nodding, boots and straps shining, scarlet and blue, silver and black, gold and crimson, green and yellow.
      Father, son and wife hung over the white gate like so many children, waving to the Duke of Queens, who marched at the front, a long pole whirling in the air above him, two others whirling on either side, a baton in one hand, a swagger-cane in the other, a huge handle-bar moustache upon his face, and a monstrous bearskin tottering on his head, goose-stepping so high that he almost fell backwards with every movement of his legs. And the band had grown so loud, though it remained in perfect time, that it was utterly impracticable to try to speak, either to the Duke of Queens or to one another.
      On and on it marched, with its sousaphones, its kolaphones, its brownophones, its telophones and its gramophones, performing intricate patterns, weaving in and out of itself, making outrageously difficult steps coupled with peculiar time-signatures; with its euphoniums and harmoniums, pianos and piccolos, its banjos, its bongos and its bassoons, saluting, marking time, forming fours, bagpipes skirling, bullroarers whirling, ondes Martenot keening, cellos groaning, violins wailing, Jew's harps boinging, swannee whistles, wailing, tubular bells tolling, calliopes wheezing, guitars shrieking, synthesizers sighing, ophicleides panting, gongs booming, organs grinding, sweet potatoes warbling, xylophones clattering, serpents blaring, bones rattling, glockenspiels tinkling, virginals whispering, bombardons moaning, until it had marshalled itself before the gate. And then it stopped.
      "Haydn, eh?" said Lord Jagged knowledgeably as the proud Duke approached.
      " Yellow Dog Charlie , according to the tape reference." The Duke of Queens was beaming from beneath his bearskin. "But you know how mixed up the cities are. Something from your period again, Mrs. Un—"
      "Carnelian," she murmured.
      "—derwood. We simply can't leave it alone, can we? I've seen a craze last a thousand years, unabated."
      "Your enthusiasms always tend to prolong themselves beyond the capabilities of your contemporaries, ebullient bandsman, most carefree of capellmeisters, most glorious of gleemen!" congratulated Lord Jagged. "Have you marched far?"
      "The parade is to celebrate my first venture into connubial harmony!"
      "Music?" enquired Jherek.
      "Marriage." A wink at Jherek's father. "Lord Jagged will know what I mean."
      "A wedding?" laconically supplied Jagged.
      "A wedding, yes! It is all the rage. Today — I think it's today — I am joined in holy matrimony (admit my grasp of the vocabulary!) to the loveliest of ladies, the beautiful Sweet Orb Mace."
      "And who conducts the rites?" asked Amelia.
      "Bishop Castle. Who else? Will you come, and be my best men and women?"
      "Well…"
      "Of course we'll come, gorgeous groom." Lord Jagged leapt the gate to embrace the Duke before he departed. "And bring gifts, too. Green for a groom and blue for a bride!"
      "Another custom?"
      "Oh, indeed."
      Amelia pursed her lips and frowned at Lord Jagged of Canaria. "It is astonishing that so many of our old customs are remembered, sir."
      His patrician head moved to meet her eyes; he wore the faintest of smiles. "Oh, didn't you know? In the general confusion, with the translation pills and so forth, it seems that we are all talking nineteenth-century English. It serves. It serves."
      "You arranged this?"
      Blandly, he replied. "I am constantly flattered by your suggestions, Amelia. I admire your perceptions, though it would seem to me that you are inclined to over-interpret, on occasion."
      "If you would have it so, sir." She curtsied, but her expression was hardly demure.
      Fearful of further tension between the two, Jherek said: "So we are again to be guests at the Duke of Queens'. You are not disturbed by the prospect, Amelia?"
      "We have been invited. We shall attend. If it be a mock marriage, it will certainly be an extravagant one."
      Lord Jagged of Canaria was looking at her through perceptive eyes and it was as if his mask had fallen for a moment.
      She was baffled by this sudden sincerity; she avoided that eye.
      "Very well, then," said Jherek's father briskly, "We shall meet again soon, then?"
      "Soon," she said.
      "Farewell," he said, "to you both." He strode for his swan which swam on a tiny pond he had manufactured for parking purposes. He was soon aloft. A wave of yellow froth and he was gone.
      "So marriage is the fashion now," she said as they walked back to the house.
      He took her hand. "We are already married," he said.
      "In God's eyes, as we used to say. But God looks down on this world no longer. We have only a poor substitute. A poseur."
      They entered the house. "You speak of Jagged again, Amelia?"
      "He continues to disturb me. It would seem he has satisfied himself, seen all his schemes completed. Yet still I am wary of him. I suppose I shall always be wary, through eternity. I fear his boredom."
      "Not your own?"
      "I have not his power."
      He let the matter rest.
      That afternoon, with Jherek in morning dress and Amelia in grey and blue stripes, they set off for the wedding of the Duke of Queens.
      Bishop Castle (it was evidently his workmanship) had built a cathedral specially for the ceremony, in classical subtlety, with great stained glass windows, Gothic spires and masonry, massive and yet giving the impression of lightness, and decorated on the outside primarily in orange, purple and yellow. Surrounding the area was the band of the Duke of Queens, its automata at rest for the moment. There were tall flag-masts, flying every conceivable standard still existing in the archives; there were tents and booths dispensing drinks and sweetmeats, games of chance and of skill, exhibitions of antique entertainments, through which moved the guests, laughing and talking, full of merriment.
      "It's a lovely scene," said Jherek, as he and Amelia descended from their footplate. "A beautiful background for a wedding."
      "Yet still merely a scene," she said. "I can never rid myself of the knowledge that I am playing a part in a drama."
      "Were ceremonies different, then, in your day?"
      She was silent for a moment. Then: "You must think me a cheerless creature."
      "I have seen you happy, Amelia. I think."
      "It is a trick of the mind I was never taught. Indeed, I was taught to suspect an open smile, to repress my own. I try, Jherek, to be carefree."
      "It is your duty," he told her as they joined the throng and were greeted, at once, by their friends. "Why, Mistress Christia, the last time I saw your companions they were trapped in a particularly unpleasant dilemma, battling with Brannart."
      Mistress Christia, the Everlasting Concubine, laughed a tinkling laugh, as was her wont. She was surrounded by Captain Mubbers and his men, all dressed in the same brilliant powder-blue she wore, save for strange balloon-like objects of dull red, on elbows and knees. "Lord Jagged rescued them, I gather, and I insisted that they be my special guests. We are to be married, too, today!"
      "You — to them all!" said Amelia in astonishment. She blushed.
      "They are teaching me their customs." She displayed the elbow balloons. "These are proper to a married Lat female. The reason for their behaviour, where women were concerned, was the conviction that if we did not wear knee- and elbow-balloons we were — um?" She looked enquiringly at her nearest spouse, who crossed his three pupils and stroked his whiskers in embarrassment. Jherek thought it was Rokfrug. "Dear?"
      "Joint-sport," said Rokfrug almost inaudibly.
      "They are so contrite!" said Mistress Christia. She moved intimately to murmur to Amelia. "In public, at least, dear."
      "Congratulations, Captain Mubbers," said Jherek. "I hope you and your men will be very happy with your wife."
      "Fill it, arse-lips," Captain Mubbers said, sotto voce, even as they shook hands. "Sarcy fartin' knicker-elastic hole-smeller."
      "I intended no irony."
      "Then wipe it and button it, bumface, Nn?"
      "You have given up any intention of going into space again?" Amelia said.
      Captain Mubbers shrugged his sloping shoulders. "Nothing there for us, is there?" He offered her a knowing look which took her aback.
      "Well —" she drew a breath — "I am sure, once you have settled down to married life…" She was defeated in her efforts.
      Captain Mubbers grunted, eyeing her elbow, visible through the silk of her dress.
      "Flimpoke!" Mistress Christia had noticed. "Well!"
      "Sorry, my bone." He stared at the ground.
      "Flimpoke?" said Jherek.
      "Flimpoke Mubbers," Mistress Christia told him, with every evidence of pride. "I am to be Mrs. Mubbers, and Mrs. Rokfrug, and Mrs. Glopgoo…"
      "And we are to be Mr. and Mr. Mongrove-de Goethe!" It was Werther, midnight blue from head to toe. Midnight blue eyes stared from a midnight-blue face. It was rather difficult to recognize him, save for his voice. Beside him lounged in an attitude of dejected satisfaction the great bulk of Lord Mongrove, moody monarch of the weeping cliffs.
      "What? You marry? Oh, it is perfect."
      "We think so," said Werther.
      "You considered no one else?"
      "We have so little in common with anyone else," droned Mongrove. "Besides, who would have me? Who would spend the rest of his life with this shapeless body, this colourless personality, this talentless brain…?"
      "It is a good match," said Jherek hastily. Mongrove was inclined, once started, to gather momentum and spend an hour or more listing his own drawbacks.
      "We decided, at Doctor Volospion's fairground, when we fell off the carousel together, that we might as well share our disasters…"
      "An excellent scheme." A scent of dampness wafted from Mongrove's robes as he moved; Jherek found it unpleasant. "I trust you will discover contentment…"
      "Reconciliation, at least," said Amelia.
      The two moved on.
      "So," said Jherek, offering his arm. "We are to witness three weddings."
      "They are too ludicrous to be taken seriously," she said, as if she gave her blessing to the proceedings.
      "Yet they offer satisfaction to those taking part, I think."
      "It is so hard for me to believe that."
      They found Brannart Morphail, at last, in unusual finery, a mustard-coloured cloak hanging in pleats from his hump, tassels swinging from the most unlikely places on his person, his medical boot glittering with spangles. He seemed in an almost jolly mood as he limped beside My Lady Charlotina of Above-the-Ground (her new domicile).
      "Aha!" cried Brannart, sighting the two. "My nemesis, young Jherek Carnelian!" The jocularity, if forced, was at least well-meant. "And the cause of all our problems, the beautiful Amelia Underwood."
      "Carnelian, now," she said.
      "Congratulations! You take the same step, then?"
      "As the Duke of Queens," agreed Jherek amicably, "and Mistress Christia. And Werther and Lord Mongrove…"
      "No, no, no! As My Lady Charlotina and myself!"
      "Ah!"
      My Lady Charlotina fluttered lashes fully two inches long and produced a winsome smile. In apple-green tupperware crinoline and brown slate bonnet she had some difficulty moving even at the relatively slow pace of her husband-to-be.
      "You proposed rapidly enough, you dog!" said Jherek to the scientist.
      "She proposed," Brannart grunted, momentarily returned to his usual mood. "I owe my rescue to her."
      "Not to Jagged?"
      "It was she who went to get Jagged's help."
      "You were attempting a jump backwards through time, eh?" Jherek said.
      "I did my best. Given half a chance, I might have improved this disastrous situation. But I tried to move within too limited a period and, as always happens, I got caught in a kind of short-circuit. Proving, irrefutably, of course, the truth of Morphail's Law."
      "Of course," they both consented.
      "I suppose the Law still applies, at present," Amelia suggested.
      "At present, and always."
      "Always?"
      "Well —" Brannart rubbed his warted nose — "in essence. If Jagged recycles a seven-day period, then the Law will probably apply to the time contained within that span, d'you see."
      "Aha." Amelia was disappointed, though Jherek did not know why. "There is no other means of leaving this world, once the circuit is completed?"
      "None at all. Isolated chronologically as well as spacially. By rights this planet has no business existing at all."
      "So we gather," said Jherek.
      "It defies all logic."
      "You have ever made a practice of that, have you not?" said Amelia.
      "Have we, dear?" said My Lady Charlotina of Above-the-Ground.
      "What I was taught to call logic, at any rate." Amelia swiftly compromised.
      "This will mean the death of Science," said Brannart cheerfully. "Oh, yes. The death of Science, right enough. No more enquiry, no more investigation, no more analysis, no more interpretation of phenomena. Nothing for me to do."
      "There are functions of the cities which might be restored," said Amelia helpfully.
      "Functions?"
      "Old sciences which could be re-discovered. There are all kinds of possibilities, I should have thought."
      "Hm," said Brannart. Gnarled fingers crossed a pitted chin. "True."
      "Memory banks which need their wits sharpening," Jherek told him. "It would take a brilliant scientist to restore them…"
      "True," repeated Brannart. "Well, perhaps I can do something in that direction, certainly."
      My Lady Charlotina patted his pleated hump. "I shall be so proud of you, Brannart. And what a contribution you could make to social life, if some of those machines could be got to reveal their secrets."
      "Jagged will be so jealous!" Amelia added.
      "Jealous?" Brannart brightened still further. "I suppose he will."
      "Hideously," said Jherek.
      "Well, you of all people would know, Jherek." The scientist seemed to do a little jig on his spangled boot. "You think so?"
      "Without question!"
      "Hm."
      A small irascible voice said from just behind Jherek: "Ah! There you are posterior-visage. I've been looking for you!"
      It was Rokfrug. He continued heavily: "If the ladies will excuse us, I'd like a middle-of-the-leg word with you, sediment-nostril."
      "I have already apologized, Lieutenant Rokfrug," Brannart Morphail told him. "I see no reason to go on with this —"
      "You offered me rapine, loot, arson, toe-pillage, and all I get is to be a member of a smelly male harem…"
      "It was not my fault. You did not have to agree to the marriage!" Brannart began to back away.
      "If it's the only way to get a bit of jointing hoo-hoo, what else am I supposed to do? Come here!"

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